Skip to content

Electri_C_ity · Studios

Sound. Art. New paths.

Music, digital art and radio by Pierre (Bob) Stephan.

Electronic music · independent perspectives

Cover artwork for the release Eternal
From the collectionEternal
Music & original cover art

Where will you begin?

Meet the artist

An editorial selection drawn from the existing release notes. Not a ranking.

  1. Night and energy

    Daywalker

    Dark timbres and a driving rhythm bring out the energetic, cinematic side.

  2. Ocean and responsibility

    Ocean Cleaner

    Flowing ambient sound and a steady pulse connect the ocean motif with an environmental theme.

  3. Introspection

    Eternal

    Deep progressive techno, ambient layers and ethereal elements open up the quieter side of the work.

  4. Mind and machine

    BrainRave

    Pulsing beats and layered synthesis make the connection between people, frequency and technology audible.

  5. Signal and noise

    Message

    Blips, noise and coded patterns turn communication and signal integrity into techno.

Cover artwork for the release Ocean CleanerOcean Cleaner · Cover art

One studio. Multiple perspectives.

Between sound, image and idea.

Music has a visual side. Pierre (Bob) Stephan is the artist behind the works; alongside them are publicly documented technology projects.

Behind the network: archive, sources and data status

The network

each part with its own count

Electri_C_ity Studios · Signal Network 2040

The work of Pierre (Bob) Stephan, publicly evidenced.

Pierre (Bob) Stephan makes electronic music in Bad Liebenstein, Thuringia. Under the name Electri_C_ity – Studios he also runs a round-the-clock radio programme, digital art and software of his own. 481 of his releases are catalogued by the German National Library — by the library, not by him.

entries at the national library
481
verifiedDNB catalogue · 412 released by the owner
recordings with an ISRC
506
recorded468 in the catalogue and on his own account
releases described
22
recorded13 linked to their catalogue entry
public projects
10
recorded5 with a public repository
connections in the knowledge graph
9
open8 verified · 1 open
sources in the register
60
verifiedeach with its standing
days of visitor figures
94
recordedcounted since 5 Aug 2026, not extrapolated
Catalogue density · German National Library481 records · 2020–2026
All 481 catalogue records over timeEach stroke is one record held in the catalogue of the German National Library, placed on its publication date between 2020 and 2026. The density is uneven — 2020: 1, 2021: 14, 2022: 52, 2023: 178, 2024: 121, 2025: 43, 2026: 72.
  1. 20201
  2. 202114
  3. 202252
  4. 2023178
  5. 2024121
  6. 202543
  7. 202672

8 records added most recently, on 15 Oct 2026 — drawn bright

How to read this: each vertical stroke is one release, placed on its publication date. Where the strokes crowd together, many titles appeared in a short time. The height of a stroke means nothing — it is computed from the identifier so that the same entry always looks the same. The band beneath groups those strokes into yearly steps.

Public knowledge graph

The graph in detail
Show relations
Knowledge graph of the Electri_C_ity networkPierre (Bob) Stephan sits at the centre, evidenced as connected to Electri_C_ity Studios, the catalogue of the German National Library with 481 records, 22 recorded releases, the radio operation, 5 software repositories and the source register with 60 sources. Between the catalogue and the releases 13 links are verified. Open: 8 same ISRC and 1 review case. The name variant “Pierre Stephan” is connected to the person as confirmed.operatescatalogued inpublishesbroadcastsdevelopsevidenced byis13 linked8 same ISRC1 review casePierre (Bob) StephanPerson · catalogue name formElectri_C_ity StudiosOrganisation · publisherDNB catalogue481 recordsReleases22 heldRadio 24/7broadcastingSoftware5 repositoriesSource register60 sources„Pierre Stephan“name variant — confirmed
  • documented relation
  • open — waiting on an owner decision

The name variant “Pierre Stephan” stays as a node of its own, even though it is now confirmed as denoting the same person. Letting it disappear would hide that the work is published under two spellings — and that is exactly what has to stay findable. Every node leads into its section; pointing at one leaves only its relations visible.

The audience

5 Aug 2026 – 6 Nov 2026 · 94 days
page views
91,190
recordedexcluding bots
visitor-days
11,970
recordedsum of daily figures — visits and people are not collected
most read
/
recordedat least 6,575 views
without an external referrer
at most 99.1 %
recordedtyped, bookmarked or a click within the site
from search engines
at least 0.2 %
recorded195 views referred by a search engine
from other sites
at least 0.7 %
recordedsocial networks 11 · others 648
share of bots
52.9 %
recordedof all requests, recognised by user agent
missing pages for readers
0 %
recordedcounted since 25 Sept 2026

On 29 Aug 2026 what the counter can see changed; periods before and after are not fully comparable. All figures and their limits

Data status

when each part was last checked
DNB catalogue
current
checked 6 Nov 2026
Platforms and releases
current
checked 6 Nov 2026
Projects and repositories
current
checked 6 Nov 2026
Public findings
stale
confirmed 30 Sept 2026 · 1 change at the source not yet taken over
Visitor figures
current
checked 6 Nov 2026
Knowledge graph
current
checked 6 Nov 2026

This page as of 6 Nov 2026. “Current” means: on that day within the interval at which the source is checked — daily for the catalogue and the platforms, weekly for the public findings, every ten minutes for the visitor figures.

Open questions

what the evidence does not settle yet

What could be evidenced is settled: 13 releases are matched to their catalogue entry, each by the same recording identifier in both registers; 412 catalogue entries are released for indexing; the name forms “Pierre Stephan” and “Pierre (Bob) Stephan” are confirmed to mean the same person. What stays open is what lacks a second piece of evidence:

  • 1 release that matches its catalogue entry only by title and date
  • 69 catalogue entries not yet released for indexing
  • 4 possible namesakes

And the questions only the owner can answer: which further profiles online really belong to him, and the rights to artwork beyond the covers. Where each stands

What the automation may do — and may not

Programs fetch the catalogue data, bring it into one consistent shape and propose which library entry belongs to which release. They may not publish anything. That boundary sits in the machinery itself: whatever an automatic comparison writes is only ever a draft, and two identical titles are never enough for a link. That takes a matching identifier — or a decision made by hand.

You can see it wherever this network shows less than it could: artwork without cleared rights stays invisible — even after the covers of our own releases were cleared — and three releases carry no publication date, because the date available for them is demonstrably wrong.

Public presence

where the network stands outside this site

This site is the register: archive, catalogue of works and sources. Nothing plays here and nothing is sold. The work is heard and seen where it is published — on the studio’s own sites, its confirmed accounts and the directories that list it.

Music
Deezer · Apple Music · SoundCloud
10 findings · 5 verified · 5 recorded
Archive
Deutsche Nationalbibliothek
1 finding · 1 verified
Technology
GitHub
8 findings · 8 verified
Radio
laut.fm · radio.de
4 findings · 1 verified · 3 recorded
Digital art
Crypto.com NFT
1 finding · 1 verified
External sources
RadioKing
1 finding · 1 recorded

28 findings outside this site — 19 verified, 9 recorded — chosen by hand and last checked on 26 Sept 2026. Each is tied to the network by more than the name — an identifier, its own domain, a confirmed account, a registered repository. A matching name alone never suffices, and a position in a search engine proves nothing. “Verified” means the connection is evidenced; “recorded”: a third party lists the entry with matching details. 8 more are unresolved — attribution or rights not yet settled — and are not counted here; where they appear at all, it is behind a disclosure and marked “open”.